Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/9. The Wonderful World of Fuzz.mp4 |
1.2 GB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/2. Guitar Bodies.mp4 |
239.6 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/3. Guitar Necks.mp4 |
63.8 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/4. Guitar Bridges.mp4 |
103.3 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/5. Guitar Pickups.mp4 |
312.1 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/6. The Importance of Guitar Setups.mp4 |
68.2 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/7. Resolving Tuning Issues.mp4 |
118.2 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/8. Tone Knobs.mp4 |
113.7 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/9. String Gauge.mp4 |
210.6 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/10. Picks.mp4 |
108.3 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/11. Choosing a Capo.mp4 |
11.8 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/1. Amps.mp4 |
1.4 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/2. Amp Types.mp4 |
221.4 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/3. Amp Mic Placement.mp4 |
648.8 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/4. Alternative Amp Mic Placement.mp4 |
25.3 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/5. Amp Wattage.mp4 |
128.8 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/6. Amp Attenuators.mp4 |
66.7 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/7. Amp Speakers.mp4 |
64.3 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/8. Tube Sag.mp4 |
47 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/9. Using Two Cabinets.mp4 |
49 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/10. Using a Preamp before an Amp.mp4 |
262.7 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/11. Solid State Amps.mp4 |
120.2 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/12. JC120-The Standard of Solid State Amps.mp4 |
40.2 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/13. Amp Simulators.mp4 |
560.9 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/14. Modern Amp Discussion.mp4 |
58.8 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/15. The Importance of Headphones.mp4 |
70.2 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/16. Multi-Mic Discussion.mp4 |
88.3 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/17. Using a Second Room Mic.mp4 |
225.9 MB |
Mark Marshall Producing and Recording Guitar/2. AMPS/18. Amp Tone Stacks.mp4 |
125.7 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/1. Pedals and Effects.mp4 |
1.5 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/2. Using a Pedalboard.mp4 |
193 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/3. Why Use a Buffer.mp4 |
34.6 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/4. Importance of Cabling.mp4 |
112 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/5. Preference of Cable.mp4 |
61.8 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/6. Types of Gain.mp4 |
113.8 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/7. The Importance of Gain Staging.mp4 |
136 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/8. Why Use 18v.mp4 |
125.7 MB |
Mark Marshall Producing and Recording Guitar/1. GUITARS/1. Guitars.mp4 |
1.8 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/10. The Universe of Overdrives.mp4 |
54.9 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/11. The Mysterious Revolution Tone.mp4 |
78.4 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/12. Cascading Gain Devices.mp4 |
77.6 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/13. Using Compression Before an Amp.mp4 |
235.7 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/14. Using Compression with Slide Guitar.mp4 |
345.9 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/15. Echo in Echos.mp4 |
151.7 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/16. Types of Modulation.mp4 |
629.2 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/17. What is a Cocked Wah.mp4 |
34.5 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/18. Using Filters.mp4 |
121 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/19. Extreme Pedal Effects.mp4 |
248.2 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/20. Unusual Pedal Effects.mp4 |
48.8 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/21. Saving Pedal Effects.mp4 |
29.1 MB |
Mark Marshall Producing and Recording Guitar/3. PEDALS AND EFFECTS/22. Mono vs Stereo Monitoring Discussion.mp4 |
23.6 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/1. Processing.mp4 |
647 KB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/2. EQ and Guitar.mp4 |
173.4 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/3. Compression and Guitar.mp4 |
207.6 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/4. Using a Mic Pad.mp4 |
2.6 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/5. Guitar Processing Methods.mp4 |
82.3 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/6. Using a Preamp for DI Tones.mp4 |
43.8 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/7. Reamping Guitar Effects.mp4 |
189.6 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/8. Recreating Room Sound with Plugins.mp4 |
180.9 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/9. Spring Reverb and Guitar.mp4 |
124.8 MB |
Mark Marshall Producing and Recording Guitar/4. PROCESSING/10. Brashful By Mark Marshall.mp4 |
71.8 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/1. Case Studies.mp4 |
1.3 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/2. Blindside by Abby Ahmad Guitar Tone.mp4 |
23.8 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/3. Cold War by Fife and Drom Guitar Tones.mp4 |
29 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/4. Because by Abby Ahmad Lead Guitar Tone 2.mp4 |
242.5 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/5. Because by Abby Ahmad Baritone Guitar.mp4 |
49.2 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/6. Baritone Guitar Tips.mp4 |
11.3 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/7. Counterfeit by Abby Ahmad Guitar Tone.mp4 |
24.7 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/8. Brashful by Mark Marshall Guitar Tone.mp4 |
37.2 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/9. Sweet Talking Ladies Man by Jenna Nicholls Guitar Tone.mp4 |
23.9 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/10. Using a Guitar Looper at Half Speed Trick.mp4 |
54 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/11. Developing Garage Guitar Tones.mp4 |
72 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/12. Conclusion.mp4 |
31.5 MB |
Mark Marshall Producing and Recording Guitar/5. CASE STUDY/13. Credits.mp4 |
8.5 MB |