| MixWithTheMasters.TrackingDrums.4/1. Puig demonstrates his use of certain tools and accessories to prepare a drum kit.mp4 |
252.1 MB |
| MixWithTheMasters.TrackingDrums.4/2. Puig discusses his favourite drum microphones, and lists alternative options.mp4 |
109.2 MB |
| MixWithTheMasters.TrackingDrums.4/3. After considering the acoustic space, Puig elaborates on his microphone positioning choices.mp4 |
360.5 MB |
| MixWithTheMasters.TrackingDrums.4/4. Puig determines signal polarity, then reveals his analog gear used for treatment.mp4 |
198.5 MB |
| MixWithTheMasters.TrackingDrums.4/5. Puig details each signal processing chain and its parameter settings.mp4 |
131.4 MB |
| MixWithTheMasters.TrackingDrums.4/6. Puig auditions the raw and treated results for you to hear.mp4 |
217.8 MB |
| MixWithTheMasters.TrackingDrums.4/English Subs/1. Puig demonstrates his use of certain tools and accessories to prepare a drum kit_EN.srt |
28 KB |
| MixWithTheMasters.TrackingDrums.4/English Subs/2. Puig discusses his favourite drum microphones, and lists alternative options_EN.srt |
13 KB |
| MixWithTheMasters.TrackingDrums.4/English Subs/3. After considering the acoustic space, Puig elaborates on his microphone positioning choices_EN.srt |
38 KB |
| MixWithTheMasters.TrackingDrums.4/English Subs/4. Puig determines signal polarity, then reveals his analog gear used for treatment_EN.srt |
26 KB |
| MixWithTheMasters.TrackingDrums.4/English Subs/5. Puig details each signal processing chain and its parameter settings_EN.srt |
17 KB |
| MixWithTheMasters.TrackingDrums.4/English Subs/6. Puig auditions the raw and treated results for you to hear_EN.srt |
15 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/1. Puig demonstrates his use of certain tools and accessories to prepare a drum kit_RU.srt |
41 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/2. Puig discusses his favourite drum microphones, and lists alternative options_RU.srt |
19 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/3. After considering the acoustic space, Puig elaborates on his microphone positioning choices_RU.srt |
55 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/4. Puig determines signal polarity, then reveals his analog gear used for treatment_RU.srt |
37 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/5. Puig details each signal processing chain and its parameter settings_RU.srt |
25 KB |
| MixWithTheMasters.TrackingDrums.4/Russian Subs/6. Puig auditions the raw and treated results for you to hear_RU.srt |
21 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/1. Puig demonstrates his use of certain tools and accessories to prepare a drum kit_Spa.srt |
29 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/2. Puig discusses his favourite drum microphones, and lists alternative options_Spa.srt |
13 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/3. After considering the acoustic space, Puig elaborates on his microphone positioning choices_Spa.srt |
38 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/4. Puig determines signal polarity, then reveals his analog gear used for treatment_Spa.srt |
25 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/5. Puig details each signal processing chain and its parameter settings_Spa.srt |
16 KB |
| MixWithTheMasters.TrackingDrums.4/Spanish Subs/6. Puig auditions the raw and treated results for you to hear_Spa.srt |
14 KB |
Magnet link
